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Uninvited Savior is a massive droning collaboration between Christian Molenaar, the primary fulcrum of San Diego’s intense free-jazz/noise collective THOSE DARN GNOMES, and David Brenner, hostile alchemist of New York City-area harsh experiment GRIDFAILURE. On Uninvited Savior, these two experimentalists take a sidecar to their usual outlets to collaborate on a spacious vortex of imploding spiritual psychosis.
The medieval wheel of pestilence broken in three: the trigeminal pestis lemniscus, communicating pain, heat and feeling from the eyes, the face and the mucous membranes. Epithelial noise piled high atop a lamina propria of reappropriated cult noumena, riddled with the stabwounds of infinite lacerating rete pegs and micro-papal papillae. Encased in the acoustic gingiva of Gothic organum and perforated by spires of extra-liminal electroacoustics, a foundational layer of pious hierophants and haruspices scream down the moon.
Infusing vocals, electric/acoustic/bass/pedal steel guitars, keyboards, synthesizers, organs, xylophone, harmonica, 1970s cult field recordings, resynthesis, tape manipulation, contact mic and power electronics effects, and other instrumentation tactics embodied in a vaporous haze, the three lumbering movements range between twenty and thirty-five minutes in length. All said, Uninvited Savior suspends the listener within its abyssal vacuum for more than eighty-one minutes.
01 Burial Delirium
03 Hallelujah (27 Years)
Recorded by David Brenner at The Compound in Valley Cottage, New York and Christian Molenaar at Apollo’s Crotch in San Diego, California.
Mix and mastered Christian Molenaar.
Artwork and layout by David Brenner.
“There are deep and dark notes which make me think of a foghorn crying out a warning, yet against that there is a distant melody which makes me think of a fairground luring unwary children to a doom they can never imagine. This is music designed for headphones as one really does need to shut away any extraneous stimuli and instead be taken into a world of BRENNER & MOLENAAR where we can be thankful we are visitors and do not have to stay in that dank and dismal place forever. Not for the fainthearted, this is yet another Brenner release I have found fascinating and compelling, and now I find myself looking to see what Molenaar has also been doing as I feel I need to know. Music which is pushing the very boundaries of the definition.” – House of Prog
“Byrne and Eno might have dug this sort of thing when they were making MY LIFE IN THE BUSH OF GHOSTS, but that album was easy listening compared to the relentless stuff assaulting the listener here. […] Clearly Brenner and Molenaar put serious hours of recording into this project. They wanted to create a dark, swirling SOUNDSTORM, something you could get completely lost in and overpowered by if you’re that sort. And I’d genuinely love to hear their thoughts on good and evil and the state of the world today. This record is somewhat of an apt soundtrack to the completely deteriorating state of modern civilization and morality, a real end-times missive. No, it won’t be anyone’s idea of a good time, except the most depressive fans of super dark drone-based ambient, perhaps. But it does carve out a space at the very edge of a certain kind of listening experience, and the experimental freedom you can claim when there are no commercial considerations to bother with whatsoever.” – Zachary Mule
“Unease gets turned to sound […] a bed of perfectly nauseating, droning tones upon which they build jagged edges of sonic twists like strangely melodic guitar strums that by themselves might actually make for a catchy tune. Here, they’re mangled into what feels like the disorienting soundtrack that might be playing in the waiting room outside an executioner’s chamber. The tracks easily feel that intensely foreboding.” – Captured Howls
“Snort an expired yellowjacket or two and settle into this collaboration between GRIDFAILURE (David Brenner) and THOSE DARN GNOMES‘ Christian Molenaar in celebration of facial pain and nearby mucosal torment. […] Imaginative atmospheres and brutally harsh ambiance for a rainy day.” – Grizzly Butts
“…like religious music fed through a blender, an esoteric mash-up of styles and influences which has some sort of resemblance to early Cabaret Voltaire, and the found sounds echo the first few Godspeed! You Black Emperor releases. Always on the edge of collapse/distortion and free of constraints. If you like long form mixes of noise/ambience in the spirit of Supersilent, AMM or Fripp/Eno then in all likelihood you’ll like the sound of this release.” – Different Noises