Cinema Cinema

CINEMA CINEMA was established in 2008 by Brooklyn-born cousins Ev Gold (vocals/guitar) and Paul Claro (drums). They’ve been described as “experi-metal punks” by the Village Voice, a “jolt of adrenaline” by BrooklynVegan, and “feral and unrelenting” by Big Takeover.

Touring extensively through the past decade, the duo has performed over four hundred fifty shows across eleven countries. CINEMA CINEMA has toured numerous times alongside SST Records founder Greg Ginn, including a fifty-plus-date 2014 North American tour opening for Black Flag. Also, select dates supporting Black Flag in 2013 and shared dates in 2010, 2011, and 2012 with Ginn’s other outfits The Royal We and The Taylor Texas Corrugators. In addition, they have half a dozen European tours to their credit, including a 2013 stint in support of Martin Bisi Band and a run of summer festivals in 2016. The band appears in and contributed music to the critically acclaimed 2014 documentary Sound And Chaos: The Story Of BC Studio. CINEMA CINEMA was also included on BC35, a celebration of the 35th anniversary of BC Studio – alongside members of Swans, Sonic Youth and other studio alumni; released via Bronson Recordings in 2018.

In 2019, the duo joined with Nefarious Industries to release their fifth album, CCXMD. Taking a stylistic left turn from any previously recorded output, they found themselves delving into ambient and atmospheric free-jazz territories. CINEMA CINEMA invited reed aficionado Matt Darriau – best known for his work with Grammy award-winning world-music ensemble The Klezmatics – to join the group for the collaborative, entirely improvised affair. Darriau had been a guest on the band’s 2017 LP Man Bites Dog, providing saxophone on a handful of tracks.

CINEMA CINEMA now presents their sixth full-length, CCXMDII. Woodwind expert Matt Darriau returns, bringing along more tools from his repertoire as the trio submerge themselves in the strange beauty of chaotic sound, found together in the moment. This collection of material is the conclusion to sessions that yielded 2019’s CCXMD, an album described as “no-holds-barred punk-jazz” by Brooklyn Rail and “as intelligent as it is unintelligible” by Invisible Oranges.