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CONTEMPLATOR is the vision of sole/core creator Christian Pacaud, former touring/live member of technical metal outfit Augury, joined by a wide cast of friends and peers to collaborate on his visions. The project was founded in 2011 with a goal of forming an outlet to create music without compromise, drawing from all his influences without regard for respecting genre boundaries.
With Pacaud handling the songwriting/composing of the songs, and providing bass, guitars, programming, and more, Antoine Guertin (Aeternam, Hillward) joined on drums in the time leading up to the creation of the outfit’s eponymous EP, which saw release in August of 2013. By the time CONTEMPLATOR was creating its first full-length, 2016’s Sonance, Pacaud had expanded the cast of musicians to include Antoine Baril (Augury, From Dying Suns) and Maxime Rochefort (From Dying Suns) on guitars, violin/viola from Jeff Ball (composer team for the Steven Universe movies and animated TV series), among other guest musicians.
The second CONTEMPLATOR album, Morphose, expands the lineup of guests even further, with accordion from Austin Wintory (Grammy-nominated composer known for scoring the popular video games Journey, Assassin's Creed Syndicate, and more), piano from Francis Grégoire (Universe Effects, Carl Mayotte), and marxophone from David Lawrie (London After Midnight).
Morphose was composed, arranged, and produced by Christian Pacaud, the guitars and drums were recorded and engineered by Antoine Baril at Hemisphere Studio with bass and additional guitars recorded and engineered by Pacaud. The violin and viola were recorded and engineered by Jeff Ball, piano was recorded and engineered by Serges Samson at LARC, marxophone was recorded and engineered by David Lawrie at Ishikawa Media, and accordion was recorded and engineered by Austin Wintory. The entire album was reamped, mixed, and mastered by Colin Marston at Menegroth, The Thousand Caves, then completed with artwork by Is Mirek and layout/design by Greg Meisenberg.
"Let’s cut straight to the point here – ‘Vestigial’ is a fantastic piece of work full on intrigue. With many moving parts and creative changes of feel and pace, the track will do much more than hold your interest throughout its near-five-minute duration. The bass work of Pacaud here is outstanding, building a solid foundation for the track to grow around, at times feeling like the vocalist of the band… Do yourself a favor and get to know the band before Morphose makes its way into the world!" - Everything Is Noise