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  • IRK - The Seeing House

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Nefarious Industries presents The Seeing House, the thundering second LP from English noise rock trio, IRK, now confirmed for release this September.

Self-described as "Leeds’ normalest weirdos," IRK was formed in 2013, their driven sound the work of vocalist J.S. Gordon, bassist Ed Snell, and drummer Matthew Deamer. They released their debut EP, Bread And Honey, in 2014, followed by a split with London sludge outfit Wren in 2015, quickly attracting attention for the wild spontaneity that defines their live show. The group continued to hone their craft with extensive touring throughout the UK and Europe, performing at festivals like Arctangent, Wrong Festival, and Strangeforms, and sharing the stage with Liturgy, Dope Body, Pissed Jeans, Blacklisters, USA Nails, Whores, Part Chimp, Frontierer, and many more.

Recipes From The Bible, IRK’s debut album, was released in 2018, showcasing chaotic, snappy tracks contrasted against longer, more progressive songs, as well as the inclusion of guest vocals and saxophone. Recipes From The Bible was the platform the band needed to probe the stranger depths of the subgenres they sit within, capturing an uncompromising sound that makes the listener feel truly estranged and uncomfortable.

Now, IRK delivers their caustic second album, The Seeing House, taking the band’s already rambunctious sound to even more explosive sonic territory. Ten new tracks showcase the trio’s abrasive and rhythm-heavy sound, balancing the technical intensity of mathcore with the raw energy of noise rock to create a distinctive brand of angular, unpredictable music. Fans of Chat Pile, Prostitute, The Jesus Lizard, Cherubs, These Arms Are Snakes, KEN Mode, and even Meshuggah must hear IRK.

The Seeing House was recorded, mixed, and produced by Andrew Edwards and Matthew Deamer at Glide Studio in Leeds, UK, mastered by Brad Boatright at Audiosiege in Portland, Oregon (The Armed, Locrian, Deadguy), and completed with cover art by Kazland, and design and layout by Greg Meisenberg. Additionally, the string arrangement on "Lifetime Achievement Award" was handled by Jamie Chambers with cello on the song performed by Jenn Chubb, guitar on "My Life In Bins" was provided by Jack Evans, and gang vocals on "The Great Wasp Of Reluctance" and "Wedding, Berlin" were delivered by Stewart Ramsay, Kerry Ramsay, and Jenn Chubb.

The first preview of The Seeing House, "Toothache In Prison," is delivered through a bizarre new video directed by John Figler. IRK vocalist J.S. Gordon states, "After a long hot soak in the pure liquid glory of our first album a few hundred years ago, we finally decided to leave our respective Malibu penthouses to make a sophomore album that had one clearly defined goal - To do for a whole album of music what St. Anger did for the snare drum.

"Our drummer, Matt, brought new and interesting rhythms from his time listening to a broken air con unit. Our bassist, Ed, circumnavigated child labor laws to create fresh and powerful riffs. And our vocalist, Jack, tapped into a rich vein of lyricism by having AI re-word the songs from the Disney film Moana.

"Uniting these three unholy piss streams in a deluge of salty creativity has birthed The Seeing House; An album about the abject horror of having a nice time."

Figler reveals about the video, "‘Toothache In Prison’ is a paraphrased time capsule of early AI video generation, full of secrets no one will ever find, and bad art. After being approached over a year ago to create some lighthearted promo for IRK's new hit single, this monstrosity is what I handed in. We're working on repairing our relationship and appreciate everyone's love and support in this difficult time. Thank you."

"When the words ‘noise’ and ‘mathcore’ precede a band’s self-ascribed genre, the mind tends to race to the high speed, frenetic works of bands like The Dillinger Escape Plan and Boris. But ‘Idiot Plot,’ the latest single from British experimental noise outfit IRK’s forthcoming record The Seeing House doesn’t really fall into those categories… ‘Idiot Plot’ manages to plod along for a while with a steady pulse, its fury stemming from the fury in vocalist J.S. Gordon’s delivery." - MetalSucks

"…nothing shy of a crushing rhythmic excess… With a track that oozes sonic ambiguation, jagged rhythmic textures, and a rich, pummeling bass tone, IRK conjure a bizarre and bewildering world of noise-drenched hostility. The track is carried by a brutish bass tone that drives a minimalistic pulsation, being accompanied by metallic percussion that pervades a sense of apprehension and unease in the listener. The unstable vocal lines continue this sense of comfortability and tension sending you on a downward spiral through mounting sonic pressure. The music video’s visuals further match the bewildered and hypnotic feel to the track with the obstruse close ups on the artists that indicate a sense of shared cathartic perplexion." - Everything Is Noise

"The Seeing House is what any experimental artist should aim for their creation to be; shocking, bizarre and endlessly creative. IRK have created something that is unmistakably them, whilst still seeing a progression in the ideas and sounds that could be found on their previous work. Whether you enjoy the work of The Dillinger Escape Plan, Meshuggah, or the Saw movies, you’ve come to the right place. Press play, and prepare to get spooked. 9/10" - Out of Rage

"The Seeing House, the second album from Leeds experimental noise rock band IRK, is a kaleidoscopic collision of sounds and one that sees the band building on their debut Recipes From The Bible with brilliantly forward thinking and caustic results." - Echoes And Dust